The Bronx is Burning is as much a research project as an art piece. Sourcing archival imagery of Harlem and the South Bronx in the 50s, 60s, and 70s, using the New York Public Library as a leading resource, I wanted to highlight New York City "Projects" that examine the socio-economic makeup of the region and its effect on African American people. 

The incorporation of fabric, sewing, and abstract collage into my work is not just about adding texture. It's about creating a narrative impact that resonates with the viewer. The fabric in my compositions is more than just a medium; it's a historical tapestry, each thread telling a story of resilience and endurance within the African American community. This use of fabric is a tribute to ancestral crafts and traditions, bridging the gap between the past and the present. It's a subtle acknowledgment of the legacy of quilting in African American history, where quilts were not just utilitarian objects but also held narratives and codes during slavery and the civil rights movement. 

Screenprint, archival imagery, cotton, fabric collage.